Any follower of South Korean cinema knows that revenge is often a theme used to drive the narrative forward. In Kim Ki-Duk’s Golden Lion winning feature “Pieta,” revenge is at the forefront of the foreign thriller as the story delves into the haunting world of loan sharks and how far a person would go to collect a debt owed.
For Ki-Duk and the entire South Korean film industry, “Pieta” is a groundbreaker. The film was the first from the country to win the top prizes at the Venice International Film Festival, Cannes and Berlin. With a story that is rooted in material matter but tackles it with a spiritual spin, seeing such awards attached to the title isn’t a surprise.
The story follows Gang-Do, a ruthless debt collector for prominent a South Korean loan shark. Gang-Do’s disposition is dark -almost stale – and it’s easy to see why delivering such pain upon those who owe money is but a daily routine for him. Something’s missing in Gang-Do life’s.
Gang-Do’s violent life gets thrown a curveball as a mysterious woman named Mi-Son confronts him claiming to be his mother. The two try to form their lost mother-son relationship as Gang-Do’s professional life becomes increasingly dangerous to both himself and Mi-Son.
Ki-Duk’s direction is bold and unapologetic as he weaves through the dark thriller. The torture seens are cruel and the contrast is sharp. Sure, sometimes Ki-Duk goes a bit too far, but considering the subject matter, the cruelty feels awfully human. In fact, at the heart of “Pieta” is a chilling story about poverty and the human condition.
Ki-Duk isn’t the only person involved in “Pieta.” Jeong-jin Lee’s Gang-Do is about as honest as a character can get. Lee opens up for the character and delivers a numbingly gritty performance in the process. Min-soo Jo’s matriarchal Mi-Son is just as raw.
Even in a summer filled with homegrown superhero romps and star-studded comedies, “Pieta” is a welcome foreign addition to the lineup that is a sobering summer must-see.
“Pieta” is currently playing at the Angelika Dallas.